California's Infamous Stage Robber
BLACK BART THE LEGEND BEGINS
The legend begins on a mountain pass called Funk Hill in Calaveras County, four miles outside of Copperopolis, California, on July 26, 1875. A man appeared before Wells Fargo stage driver John Shine (later a U.S. marshal and a California state senator). The man wore a long, soiled duster over his clothes, and covering his head was a flour sack with holes that had been cut for eyes. The man carried a double-barrel 12 gauge shotgun and a Henry rifle hung over his shoulder1.
1 This is the only robbery that Bart carried more than just a shotgun.
After the robbery Bart stopped at a farm asking for directions and sold the Henry rifle to the farmers
wife for $10.00.
2 One of the two men on the stage was one of the owners, John Olive. The other passenger was a young miner. When Bart stopped the stage the young miner went for his gun but John Olive grabbed his wrist and foced the gun to the floor. He said to the young miner "Put that damned thing away, do you want to get us all killed."
3 There was sort of an unwritten rule between drivers and robbers that if the driver said there was no treasure box on the stage the robber would not press the issue. However, if the robber found out later that the driver had lied, the next time the robber causht up to the driver, he probably would shoot him.
The legend was born; Black Bart had committed his first robbery.
Charles E. Boles (aka Black Bart, aka Charles E. Bolton) lived in San Francisco.
He was a man well into his 50's, about five-foot eight inches tall, ramrod straight, with gray
hair and a moustache. A natty dresser, he favored diamonds and carried a short cane.
People seeing him walk down the street in 1870's San Francisco would
have thought him nothing more than a kindly, prosperous, old grandpa
out for a leisurely stroll. But, he was more than that, much, much more.
No one could have imagined that this man was really the famous, or
infamous, Black Bart the stage robber-poet of Northern California,
or P o 8, as he preferred to refer to himself.
He was a man who liked to live well and intended to do just that. He stayed in fine hotels,
ate in the best restaurants and wore the finest clothes. Now all he had to do was find a
way to earn a living to support his preferred lifestyle, and Charles E. Boles found a dandy.
Bart was not a rampant pillager of Wells Fargo. He only robbed stages periodically, sometimes with as much as nine months time between robberies. He later stated that he "took only what was needed when it was needed." Most stagecoach drivers were submissive to Bart, seldom defying him with a cross word and obediently tossing down the strongbox when ordered to do so. This was not so with hard case George W. Hackett who, on July 13, 1882, was driving a Wells Fargo stage some nine miles outside of Strawberry, California. Bart suddenly darted from a boulder and stood in front of the stage, stopping it and leveling a shotgun at Hackett. He politely said: "Please throw down your strongbox." Hackett was not pleased to do so; he reached for a rifle and fired a shot at the bandit. Bart dashed into the woods and vanished, but he received a scalp wound that would leave a permanent scar on the top right side of his forehead.
The lone bandit continued to stop Wells Fargo stages with regularity, always along mountain roads where the driver was compelled to slow down at dangerous curves. It was later estimated that Bart robbed as much as $18,000 from Wells Fargo stages over the course of his career, striking twenty-eight times. He left no clues whatsoever, although he did leave a spare gun after one robbery. He was always extremely courteous to passengers, especially women travelers, refusing to take their jewelry and cash. He made a favorable impression on drivers and passengers alike as a courteous, gentlemanly robber who apparently wanted to avoid a gunfight at all costs.
On July 30, 1878 while robbing the stage from La Porte to Oroville, Black Bart added to his legend. Again a woman traveler attempted to get out of the stage and give up her valuables to Bart. Black Bart stopped her and said: "No lady, don't get out. I never bother the passengers. Keep calm. I'll be through here in a minute and on my way." With that he took the express box containing $50 in gold and a silver watch, the mail sacks and was on his way.
With his loot, Bart had invested in several small businesses which brought him a modest income, but he could not resist the urge to go back to robbing stages when money became short. After so many successful robberies, the P o 8 thought his luck would continue forever, but it was not to be. On November 3,1883, his luck ran out.
Why did Charles Boles decide to call himself Black Bart? Bart himself told Harry Morse and Captain Stone why when they were going out to pick up the gold alamagam from his last robbery. He said that he had read the story "The Case of Summerfield" several years earlier. When he was searching for a name, that one just popped into his mind. He chuckled at the stir his verse had created when signed by the name Black Bart.
On June 30, 1864, supposed Confederate troops held up the Placerville stage, and Captain Henry M. Ingraham, C.S.A. receipted to Wells Fargo for the treasure. Then in 1871, a San Francisco lawyer, William H. Rhodes, under the pen name "Caxton" resurrected the captain as Bartholomew Graham in a dime novel story called "The Case of Summerfield," which appeared also in the Sacramento Union. Graham, known as "Black Bart" according to Rhodes, had been "engaged in the late robbery of Wells Fargo's express at Grizly Bend!" He was an "unruly and wild villain" who wore all black, had a full black beard and a mess of wild curly black hair. It should be noted that Charles Boles never wore black nor did he have a beard nor was his hair black. Of more importance was the rest of his description: "He is 5 foot 10.5 inches in height, clear blue eyes and served in the civil war." Stage drivers never forgot those "clear blue eyes." By using the name Black Bart, Boles took advantage of an established dime novel bad guy. So the robber Black Bart was already known as someone to be feared. If you were robbed by Black Bart, you didn't argue, you just gave up the loot.
Black Bart the P o 8
At the fourth and fifth robbery Bart left a note. He signed the note with a name that would go down in western history: "Black Bart, P o 8." The letters and number mystified lawmen as much as the name Black Bart. Any tracking posse found no trace of the elusive bandit, and superstition had it that the stage indeed had been robbed by a ghost. There were only two poems but it is one of the most recognizable parts of the legend.
At the fourth robbery:
"I've labored long and hard for bread,
For honor and for riches
But on my corns too long you've tread,
You fine-haired sons-of-bitches.
Black Bart, the P o 8"
At the fifth robbery:
"To wait the coming morrow,
Perhaps success, perhaps defeat
And everlasting sorrow.
Yet come what will, I'll try it once,
My conditions can't be worse,
But if there's money in that box,
It's munny in my purse.
Black Bart, the P o 8"
Note: A little know fact is that on the first poem there was also a note scribbled under the verse. The poem and the note had each line written in a different hand. It is thought that Bart did this to disguise his handwriting.
The note reads:
Driver, give my respects to our old friend, the other driver. I really had a notion to hang my old disguise hat on his weather eye.
After Bart's release from prison there was another robbery where a poem was left in the same fashion that Bart always left his poems. Detective Hume examined the note and compared it with the genuine Black Bart bits of poetry of the past. He declared the new verse a hoax and the work of another man, declaring that he was certain Black Bart had permanently retired. This gave rise to the later notion that Wells Fargo had actually pensioned off the robber on his promise that he would stop no more of its stages, paying him a handsome annuity until his death.
This is the third poem that was NOT written by the P o 8
So here I've stood while wind and rain
Have set the trees a'sobbin'
And risked my life for that damned stage
That wasn't worth the robbin'.
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